Scorsese gives Hollywood to robots and liberals are cheering while real jobs disappear

Hollywood has never been shy about running wild with the latest trends—even when it puts American jobs at risk. Now, Martin Scorsese, the so-called king of “Old Hollywood,” is jumping headfirst onto the Artificial Intelligence train. He’s using AI to put together his storyboards. That means computers are crafting the scenes before actors ever see a script. If Hollywood legends are giving the keys to robots, you have to ask—who’s next on the chopping block?

Liberals like to lecture the world about the dangers of big tech. Yet behind the scenes, they’re the ones racing to replace real workers with artificial ones. For years, the left paraded actors and crew across picket lines, whining about “fair wages” and “creative integrity.” Now, with a swipe of Scorsese’s hand, it looks like creative jobs could be on the road to extinction—all thanks to their own favorite gadgets and globalist ideology.

Let’s not forget, these are the same so-called progressives who talk nonstop about standing up for the little guy. But as Hollywood lines its pockets with new tech, real artists, illustrators, and designers are being shown the exit. This isn’t about “progress”—it’s about money and control. The global elites of Tinseltown want faster, cheaper movies, and they don’t care who gets left behind.

America leads the world in invention, yet our own stories are being handed to cold, unfeeling machines. Can anyone honestly say that a computer can replace the human heart behind our greatest films? Scorsese and his buddies think so. Maybe next, we’ll get movies made by faceless bots, starring digital actors mouthing words written by AI script generators.

When even the old-school filmmakers throw in the towel, Hollywood’s future looks more robotic than ever. If this is the liberals’ idea of progress, regular Americans should ask: who really benefits when technology replaces our talent and tradition? Once again, Hollywood puts profit over people—because for the left, it’s all about owning the story, no matter what it destroys.

Source: NY Post