Hollywood just doesn’t learn. The disaster of “Snow White” and its entitled, woke lead actress should have been a wake-up call. Rachel Zegler ran her mouth about Trump voters, spewed anti-Israel rhetoric, and doubled down with “free Palestine” messages—even when her own co-star is an Israeli Jew. The leftist elite circled wagons, but audiences didn’t bite. The result? A bomb at the box office and more embarrassment for Tinseltown. Executives even sent personal pleas to get Zegler to stop her social media nonsense. She ignored them. The film tanked.
You’d think after getting trounced by a YouTuber’s low-budget indie movie, Hollywood might ditch the arrogance and get back to storytelling. But here comes Milly Alcock, the new face of “Supergirl.” And shocker: she’s already playing the victim before the movie even releases. According to Alcock, any backlash she gets is just because she’s a woman in a superhero suit. Spare us. The idea that audiences are mad about a female superhero is laughable. Conservative and mainstream movie fans have cheered strong female leads for decades.
Why are these Hollywood woke warriors so desperate to rewrite history? Female-led blockbusters are not new. “The Hunger Games” made Jennifer Lawrence a megastar and nearly $700 million. Gal Gadot’s “Wonder Woman” crushed it for DC. Sigourney Weaver and Linda Hamilton anchored two of the most iconic sci-fi franchises of all time. Even “Captain Marvel,” led by Brie Larson, crossed the billion-dollar mark. Sandra Bullock, Charlize Theron, Scarlett Johansson—successful, powerful women have dominated theaters when given decent scripts and real stakes. The proof is everywhere, but the left keeps spinning the same tired narrative that fans “hate women.”
No, America doesn’t hate women. We hate woke lectures and bad movies. We’re sick of studios hijacking beloved characters, calling fans bigots, and blaming everyone but themselves for their failures. The real problem with today’s crop of superhero movies—especially from DC—is lazy writing, recycled politics, and performers more obsessed with activism than delivering a good show. When Milly Alcock popped up in that brief “Superman” cameo, the reception was cold. That movie bombed because James Gunn decided to “reinvent” Superman instead of honoring the character’s roots. Now, Alcock’s “Supergirl” looks poised to stumble down the same tired, preachy path.
Instead of focusing on performance and plot, Alcock and her handlers are whining about “sexism” and treating the audience like the enemy. That’s always the Hollywood playbook when the product stinks. It’s never about quality; it’s always someone else’s fault—usually the very people they expect to buy tickets. Here’s a reality check: Americans are done shelling out cash to be insulted and talked down to. If “Supergirl” tanks, don’t blame sexism. Blame the army of clueless, arrogant elites in charge, and yet another lead actress who’d rather preach than entertain. How much longer until these globalist insiders get the message: go woke, go broke?
Source: Townhall
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